ScheduleSpring 2006Communicationsskip navigationillinois hometext view
   Home
   
  
  
   
  
   Class Schedule
  Summer 06
  Spring 06
  Fall 05
  Summer 05
  Spring 05
  Fall 04
   
    
  Course Catalog
  Spring 06
  Fall 05
  Spring 05
  Fall 04
  Spring 04
  Fall 03
  Spring 03
  Fall 02
  Spring 02
  Fall 01
  Spring 01
  Fall 00
  Spring 00
   
    
 
  Spring 06
  Fall 05
  Spring 05
  Fall 04
  2001 - 2003
1999 - 2001
1997 - 1999
1995 - 1997
 

    

View schedules for

all classes   first 8 weeks   second 8 weeks   EMB
2/03-5/20
  evenings
(4pm and later)

COMM 321
Film Culture

Credit:  3 hours.

This course satisfies the General Education Criteria for a
Western Compartv Cult course.

Introduces students to key issues of, major theoretical approaches to, and current debates about the cultural function of films. Course addresses theories of spectatorship, the politics of pleasure, the culture of entertainment, and the cinematic construction of race, class, and gender.


Section Information
CRNTypeSectionTimeDays Location  Instructor
31360 discussion- recitation AD1 10:00 AM - 10:50 AM  room 113
Gregory Hall 
Haskell, D 
Western Compartv Cult course.

31362 discussion- recitation AD2 12:00 PM - 12:50 PM  room 313
Gregory Hall 
Hasinoff, A 
Western Compartv Cult course.

31365 discussion- recitation AD3 11:00 AM - 11:50 AM  room 113
Gregory Hall 
Haskell, D 
Western Compartv Cult course.

31367 discussion- recitation AD4 01:00 PM - 01:50 PM  room 313
Gregory Hall 
Kosovski, J 
Western Compartv Cult course.

31368 discussion- recitation AD5 11:00 AM - 11:50 AM  room 313
Gregory Hall 
Hasinoff, A 
Western Compartv Cult course.

31371 discussion- recitation AD6 02:00 PM - 02:50 PM  room 313
Gregory Hall 
Kosovski, J 
Western Compartv Cult course.

31377 lecture AL1 01:00 PM - 01:50 PM MW  room 150
Animal Sciences Laboratory 
Gill, P 
Western Compartv Cult course.

Topic: Blaxploitation Films - This course will consider some of the best-known instances of what are called "Blaxploitation" films, a group of wildly popular U.S. films of the 1970's, generally produced and directed by white men, that targeted urban African-American audiences. By looking at exemplary selections of this group of films and reading pertinent theoretical essays, the class will examine the narrative premises, gender constructions, and visual and musical strategies of Blaxploitation, assessing the films' historical significance as well as their explorations of a social identity that both violates and confirms traditional American Values.